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no mud no lotus

by Sarah Osborne

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1.
fall 03:57
see the birds flying high like they're meant to be oh it could be you and me no ones questioning why they do what they do or if I ever loved you you know I do chorus: times got nothing on me scratching the day on the wall hunny I miss ya there's a hole in my heart in your arms I long to fall I long to fall I long to fall wake up forgetting just where I am again and I reach out for you are you wandering around, the same old town, with somebody new? she'll never love you like I do chorus
2.
as fate would have it I've gone to far i spilled my guts, showed you my stuff and all ive got left are these scars I'm wreaking havoc, I'll burn down the barn and they'll think he ran away with me arm in arm as fate would have it we're going down in flames three swords in my heart, cloaked in a cape of blame I won't have it I won't play those cards oh I never meant to do you any harm they put mountains between but the heart it has ways knocking me down like a big set of waves mountains between but the heartache it stays knockin me down, knocking me down as fate would have it I'm seeing things the angels are singing and they gave me a beautiful ring oh i can feel it it's in my veins and it's roaring like a westbound train go to sleep baby just close your eyes morning will come and the sun will shine howbout that moon how it shines in the sky making me blue, making me cry
3.
kym 03:01
We've all a place in this production line Jesus was a busy guy so my dear am I, turning priveledges to rights instead of water into wine and running through the times of street wars grasping out for any open door facing all the change with the grace of a newly formed butterly asking myself every day what it means to be alive, survive they made god I found god force me to believe and im so gone lead me to belief and ill keep on flying, like the birds drawn on my skin some of us barely the get the chance no don't even get a second glance from society making money for the priest i hit my bottom running through the streets they made god I found god force me to believe and im so gone lead me to belief and ill keep on flying, like the birds drawn on my skin
4.
vacation 01:41
working day out day in wanna get some news from my vacation wanna see you by the pool try new some new things with you tell me whats new lately got your postcard so sweet baby i wanna get you in that room try some new things on you no rest for the wicked we can repose oh time wont go quickly cause we'll take it slow so tired body aching counting down the days to my vacation wanna get some tasty food tell me everything about you
5.
aubergine 02:56
even though that's the way it's gonna go I still want you when we're toking, lying on the floor. I wanna get close to you, wanna get up on you, wanna get close to you, wanna get up on you. Aubergine, you're my dream Aubergine, you're so mean. I barely saw you coming now you're out the door you got my on my knees, hummin for more wanna get close to you, wanna get up on you wanna get close to you, wanna get up on you this couch is big enough for two you know what I wanna do come over on a sunny afternoon and let me have my way with you Aubergine...
6.
woah keep on tryin leave me when you go aahhh keep on trying love me til you know ohhh the guitar you got me playing it all day long ohhh it dont replace you oh I miss you lord oh keep on tryin... leave me like the lord
7.
weeping, like a weeping pussy willow today everyone's gone, and I ain't got nothing to say oh i just cry, cry myself to sleep, and I cry morning time, and I cry. all through the day weeping, like a weeping pussy willow weeping, like a weeping pussy willow all night through baby, pick up the phone, oh I just wanna talk to you I won't be long, I won't be mean I know I'm wrong, I know you're sweet weeping, like a weeping pussy willow oh all through the night
8.
back in my day, school was a safe place save for the builles, throwing sticks, stones, and names in my face fear and bullets no, they never crossed our minds, teacher, tell us why, the guns a symbol of our time? one move of a finger, can quickly take a life, one pull of a trigger, defines our modern strive, oh what is it, that these senseless fools desire? teacher tell us why, these shots are being fired? leave those guns alone take them from the streets, the schools, the home burn them down to the bone, get rid of them, make them gone. well, war is a business that belongs someplace else we're all turning wicked as we watch that ice melt I'm hear to learn, not to fear for my life, teacher will they shoot me, if I look them in the eye. leave those guns alone take them from the streets, the schools, the home burn them down to the bone, get rid of them, make them gone.
9.
mmm loneliness is cool pain heals everything no mud no lotus smoke it, drink it, text it, sext it away oh smoke, drink, text, sext that pain away oh body monster, you ain't no thing get outta me! stay home, try not to be alone ooooooh loneliness is cool smoke it, drink it, text it, sext it away. that pain body monster, you ain't no thing get outta me get outta me smoke it, drink it, text it, sext it away. loneliness is cool
10.
goodnight 03:56
Am I running out of time? Could this be the night? Is there something I could've done better? Before I say goodbye, walk across that line. Rock me like a baby. Rock me like a baby, tonight. Used to be your baby, rock me like a baby, tonight. What did I do to get here? Oh yeah I know why. Tenacious as I was, I live my life. Oh I wasn't afraid to cross that line, and I ain't afraid to die. Rock me like a baby. Rock me like a baby, tonight. I used to be my baby, rock me like a baby, tonight.
11.
11:11 02:30
The sun is going down, there’s lots left Thank you for clasping your hands Making a place for my shoe to step And lifting me up, helping me catch my breath. But how could I have known better? If I did I wouldn’t have the chance to reflect on it all now. As winter sends its last parade through town. I take my black mirror, smash it on the ground. Really though, could I throw I off this cliff? Dare I cause such mischief? What would it be like to run my fingers through your hair? Instead of gaze a gazedly stare At your pixeled picture there To laugh in wisdom In unison once again Darling this pain is so real When can we be friends? Or more? For really in this space and time I see many fish in the sea Let us not be ghosts lost in time, For you are the salmon I seek. Swim, swim to the river up the stream Lay me down in the pebbly creek There, we will create my love, we will dream Music turning as the water flows around a melody. Catches the light, yes we are alive. This life, will you share it with me? My only request, with my hands across my chest, Is that you send me back to the sea. This journey, will you share it with me? Come back to me, my kindred spirit, Come back to me. 11:11:11:11:11:11:11:11:11:11:11

about

to my sistercousins
& all my strong hot queens
my blood, my goddesses,
live your dreams

A few months ago I was driving down a country road somewhere, sometime, late afternoon. I was on the phone with one of my amazing sister cousins, Jade. She is a beautiful red haired goddess a few months my senior, whom I share my genes of a large appetite for pleasure and a “special” genius/madness with. She, like many of my amazing support network, was offering her ear and wisdom. For at the time I was in the middle of a deep dark sea, a shadowy night of the soul, the belly of a beast, and a severe state of emotionomania. She said to me, “Well you know, no mud no lotus”. This mere phrase blew my mind and everything stood still for a moment. The simple truth hit me like a wave, and it all just made perfect sense.

For a brief period of my life, I went by the name “Mud”. One morning watching cartoons before school, Garfield cheekily said “well, my name is mud” after eating someones lasagna or something. I thought it was the greatest thing in the world and from that moment on, I was to be called Mud (for a couple of years anyway). To this day, Jade still calls me “Mud”, and I love it.

Not only was this phrase “no mud, no lotus” of great significance to me because of my bizarre childhood nomenclature. But also because it so simply stated something I already knew deep in my heart, something we all already know: that without suffering there is no joy, without darkness there is no light, and without the nourishing, dark, thick, unappreciated mud there is no fertile, colourful, delicate, and sensual lotus. I adopted this as a mantra, and a few weeks later, in a little boutique, a handmade copper ring popped out to me. Engraved on it were the words “no mud, no lotus”. I laughed out loud as my heart beat excitedly at the sheer magic of that moment. It has been hugging my right ring finger perfectly ever since.

Fast forward to a beautiful sunny drive out to the beach from Victoria on New Years Day of this year. Some dear musical friends of mine were talking about this “record per month “ (rpm) challenge that everyone and their cousins and their cousins cousins would partake in every February in Newfoundland. It is a world-renowned thing, but special to the Newfies, for the month of February can be especially dark, cold, and dreary. Winter doldrums at their finest. What better way to conquer a dark night of the soul then to create, for the sheer challenge and enjoyment of it? The objective was to write and record 10 songs, or 35 minutes, whichever came first, all in the month of February. “I’m gonna do it!” said I.

I had just made a big move at the end of the year and in January I had been recording and collaborating creatively for long amazing hours with my very talented uncle on a new professional EP. The sound and quality of my voice and playing reached new levels. During this time I was also asked to write a song for “the Existence Project”: a workshop a friend of mine facilitates to bring open discussion between people of marginalized and stigmatized communities. Coming out of a creative dry spell, the aforementioned, and my recent recent resurfacing out of the deep dark sea were all catalysts in propelling this project forward. I rented a beautiful expensive German microphone, borrowed an interface, turned off the breaker for the fridge and away I went.

But I wondered, when this rpm was done, would I dare share it with anyone? In a late night conversation in a dark bar last week, I got my answer. I sat with a respected and talented musician I’ve known my whole life and we discussed the merit in releasing something imperfect, unproduced, fresh out the gates, raw. In essence: “mud”. The next morning I woke up, and had my vindication:

I am releasing this “mud” with three intentions. The first is to encourage the choice and disciplined practice of creativity in all of you. Make the time, it is so important, and will fill your soul in ways no one or nothing else can. The second is for my own personal reason of committing to a project deadline, a project that has offered me the most exquisite healing experience I’ve ever had. And some of it was also just plain fun. You must understand my vulnerability and fear in this moment at the thought of sharing this completely unrefined, straight from the soul, work with any who will listen. Thirdly, the idea is to involve you, the listeners, my peers and supporters, in the evolution of these songs. With artistic critique and collaboration, growth, and fine-tuning, some of these songs may disappear, some may change entirely, and some may become hits on Rock 69 fm. They will in essence, become “the lotus”. You are all here for the birth of them; these seeds planted in the nutrient rich, thick, dark, mud. It’s amazing what a little bit of time and light can do.
I will be releasing one song a day for the next 11 days. Allow me to present to you “no mud, no lotus’…
A big thanks to Taryn Bodrug for the beautiful art.
And thank you all for your love and support.
xo
s.o.

credits

released March 1, 2018

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Sarah Osborne Victoria, British Columbia

Sarah's sultry voice is a colourful velvet painting in a second-hand store. Exotic, dark, and textured, it beckons us, in its nostaglia, to bring it home and hang it on the wall, to remind us of a time that was, and a part of ourselves that is sweet, simple, and real. ... more

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