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Seasons Volume Three // The Rock

by Sarah Osborne

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1.
Our little train, starts and stops and then it starts again Ladies and gentlemen, oh have no fear, we’re almost there, and sorry for the wait Mother nature wins again today He said, there ain’t no better rest since the womb then on a fair bound train He said, there ain’t no better rest since the womb then on a fair bound train Oh I can’t wait to see him again Choo chooooooooo Our little train, stops and starts and then it stops again
2.
Engine down, down, down, down In Winterpeg town, town, town, town Keep your apples up, there’s no need to frown Though the engine’s down, in Winterpeg town What time is lunch? Oh I’ve got a hunch That’s all I need to worry about today What time do we sing? I can’t help but think That’s all I need to put a smile on my face Engine’s down, down, down, down In Winterpeg town, town, town, town Keep your apples up, there’s no need to frown Though the engine’s down, in Winterpeg town Manisnowba is freezing they told us Old man winter, loves a delay It’s so damn cold, should be illegal But this little train keeps us cozy and safe I’ve a smile on my face though the… Engine’s down, down, down, down In Winterpeg town, town, town, town Keep your apples up, there’s no need to frown Though the engine’s down, in Winterpeg town Engine’s down, down, down, down In Winterpeg town, town, town, town
3.
Freight train won’t you let us by? We are 13 hours behind I’m in no rush but bear in mind, Please get us home some time Freight train won’t you let us by? We are 20 hours behind Get out and walk the track should I? Please do keep us in mind Black birds, deer herds, little towns I’ve never seen One track, haystacks, white snow glistening I am listening to everything I see I am listening to everyone I meet And just as I’m about to And just as I’m about to Just as I’m about to pray this never ends Just as I’m about to pray this never ends We stop again… Freight train won’t you let us by? We are 40 hours behind Your cargo’s worth more than our time Do keep us in mind Please get us home some time
4.
Rock Bottom 02:55
I forgot your middle name, does that mean it’s over? I’ve forgotten who’s to blame, I guess that means it’s over? But I am sittin’ on rock bottom With a heart full of everybody’s problems And we ain’t taking on any water Must’ve been the molly that’s making you smile so wide, with you eyes all pied Couldn’t have been your dolly darling, if I tried, oh my hands are tied Cause I am sittin’ on rock bottom With a heart full of everybody’s problems And we ain’t taking on any water Still as the night, dark as the tide, flat on my back and dying inside You reached out for me Still as the night, dark as the tide, flat on my back, and dying inside You reached out and never let go No doubt in my mind hunny, it was your light, that brought me safely to shore In the storm No doubt in my mind hunny, it was your light, that brought me safely back to shore In the wicked storm But I am sittin’ on rock bottom With a heart full of everybody’s problems And we ain’t taking on any water
5.
Father, why you gotta be so cruel? Father, why you gotta be so mean? I've been going back in time, I'm seeing things that don't feel right. Keep it up now, keep it tight, shake it to the rhythm I'm up all night. Father, oh you know a lady rules Father, oh I show you what I mean I've been going back in time, I'm seeing things that don't feel right. Keep it up now, keep it tight, shake it to the rhythm I'm up all night.

credits

released February 11, 2022

All songs written by Sarah Osborne
Produced by Neil James Cooke - Dallin & Sarah Osborne
Engineered, & Mixed by Neil James Cooke - Dallin
Mastered by Brock McFarlene of CPS Mastering
Recorded at Burning Rainbow Studio, Victoria, BC

Vocals, Acoustic Guitar, & Electric Guitar - Sarah Osborne
Featuring "The Magic Buttons":
Guitar - Chris Lloyd
Bass - T-Rav aka Travis Charuk
Drums - Michael Wilford
Pedal Steel - Tyler Lieb
Backup Vox - Chris Lloyd

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Sarah Osborne Victoria, British Columbia

Sarah's sultry voice is a colourful velvet painting in a second-hand store. Exotic, dark, and textured, it beckons us, in its nostaglia, to bring it home and hang it on the wall, to remind us of a time that was, and a part of ourselves that is sweet, simple, and real. ... more

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